Video mpya ya G Nako na Ben Pol - Mama Yeyo

Video mpya ya G Nako na Ben Pol - Mama Yeyo

Mphamvu

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Mepishana na makaribisho ya kinafki ya waziri mmoja huko Jukwaa la Siasa, nikaona naweza kutoa maseruamba bure halafu ikawa noma mjengoni.

Acha tuje kuliwazana huku mchafukoge kwa track la mahaba ya ki-HipHop!

Furahikeni...

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Dah niliviona neno video nikajua Mwigulu katoa part 2 na bukoba boy!!
 
Dah niliviona neno video nikajua Mwigulu katoa part 2 na bukoba boy!!

Hizi siasa uchwara maneno miingi zatuumiza watu hisia tu, serikali ifanye mpango bei ya binduki ishuke. Hakyanani ningejitolea kugawana maeneo na kilaza mmoja wa serikali, wakati yeye anaenda makaburi ya Kisutu mi naenda zangu Keko pale kati nikaonane na mwanangu Godi Chababa...

Aaaagh, afu ungeona kama wau watu wangeendelea kuserukamba bungeni.
 
The video is likably pale, that evening like hue gives it an otherwordly effect. The depiction ofAfrica is adequately proportionate, neither too deep like some Soweto rathole, nor too flashy like some Chidy Benz optimum opulence.

Though the direction is not up to par, and there is a lot of potential left on the table, an Oblomovian effort that has a clear - even lovable- northern nonchalance, complete with the formulaic exploitation of the Masai attire. But then again to expect anything else from "Mama Yeyoo" would be almost sacrilegious.

There are the markings of a catchy tune, melodic reggae like strings, repetitive hums, irresistibly simple chorus.

And then there are the filler lyrics on an already hollow poetry.

There is something for almost everyone. Definitely plenty of room for growth.

Except for a Dostoevsky critic with a penchant for some Onyx-like vagrancy hidden in Premier beats under the guise of M. O. P.
 
The video is likably pale, that evening like hue gives it an otherwordly effect. The depiction ofAfrica is adequately proportionate, neither too deep like some Soweto rathole, nor too flashy like some Chidy Benz optimum opulence.

Though the direction is not up to par, and there is a lot of potential left on the table, an Oblomovian effort that has a clear - even lovable- northern nonchalance, complete with the formulaic exploitation of the Masai attire. But then again to expect anything else from "Mama Yeyoo" would be almost sacrilegious.

There are the markings of a catchy tune, melodic reggae like strings, repetitive hums, irresistibly simple chorus.

And then there are the filler lyrics on an already hollow poetry.

There is something for almost everyone. Definitely plenty of room for growth.

Except for a Dostoevsky critic with a penchant for some Onyx-like vagrancy hidden in Premier beats under the guise of M. O. P.

Naona umejishaua weeee, raia wamekukaushia. Inaumaje?
 
Naona umejishaua weeee, raia wamekukaushia. Inaumaje?

Raia hawajanikaushia, si umejibu wewe, au wewe ushuzi wa raia?

Halafu si lazima kila ninachoandika kijibiwe, kwa sababu si lazima kila ninachoandika kieleweke na kila "raia".

Inawezekana nikaandika kujaza quota yangu ya siku kuandika tu, au kufanya mazoezi ya kuandika encyclical decrees kama optimus as sanctissimus omnium saeculorum princeps.

Na sijawahi kuishi kwa kutazama mapokezi ya watu wengine, kwani natambua kufanya hivyo si kuishi. I stoically am not moved by neither praise nor blame. Only the ignorance stemming from want of praise or disassociation from blame would cause a mind to not be still and be concerned with what others think in such a trivial manner.

I suggest you look for some more unanswered posts of mine covering Hegelian dialectics on the futility of revolutions ,breakdown of the Kaluza-Klein manifold in continuums with a multi singularity multiverse with negative time and action at a distance spookiness at the Planck scale, the refutation on the core Westphalians principles on the foundation of the nation-states and their current roles, the numerous references to the centrality of Heisenberg's uncertainty principle being beyond simple measurability, the centrality of the second law of thermodynamics seeded in the arrow of time, the comparison of literary criticism between John Updike and H.L Mencken, the futility of interpreting Kafka, the Nazi conscious and it's criticism in the Valkyrie affair etc etc etc.

You have not done your homework properly, if you do so you will discover that unanswered posts from Kiranga are not uncommon and therefore, nothing to write about.

They need not necessarily be understood by today's audience, some are meant to be records to future historians, much like Egyptian high hieroglyphics from the likes of Imhotep, not meant for the public consumption of non-initiates.
 
raia hawajanikaushia, si umejibu wewe, au wewe ushuzi wa raia?

Halafu si lazima kila ninachoandika kijibiwe, kwa sababu si lazima kila ninachoandika kieleweke na kila "raia".

Inawezekana nikaandika kujaza quota yangu ya siku kuandika tu, au kufanya mazoezi ya kuandika encyclical decrees kama optimus as sanctissimus omnium saeculorum princeps.

na sijawahi kuishi kwa kutazama mapokezi ya watu wengine, kwani natambua kufanya hivyo si kuishi. I stoically am not moved by neither praise nor blame. Only the ignorance stemming from want of praise or disassociation from blame would cause a mind to not be still and be concerned with what others think in such a trivial manner.

I suggest you look for some more unanswered posts of mine covering hegelian dialectics on the futility of revolutions ,breakdown of the kaluza-klein manifold in continuums with a multi singularity multiverse with negative time and action at a distance spookiness at the planck scale, the refutation on the core westphalians principles on the foundation of the nation-states and their current roles, the numerous references to the centrality of heisenberg's uncertainty principle being beyond simple measurability, the centrality of the second law of thermodynamics seeded in the arrow of time, the comparison of literary criticism between john updike and h.l mencken, the futility of interpreting kafka, the nazi conscious and it's criticism in the valkyrie affair etc etc etc.

You have not done your homework properly, if you do so you will discover that unanswered posts from kiranga are not uncommon and therefore, nothing to write about.

They need not necessarily be understood by today's audience, some are meant to be records to future historians, much like egyptian high hieroglyphics from the likes of imhotep, not meant for the public consumption of non-initiates.

yes sir!
 
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